Slott Danmark 4,0/5 3561 reviews
  1. Slott Danmark Hotell
  2. Slott Danmark Retirement
Harald Slott-Møller

Harald Slott-Møller (17 August 1864 – 20 October 1937) was a Danish painter and ceramist. Together with his wife, the painter Agnes Slott-Møller, he was a founding member of Den Frie Udstilling (The Free Exhibition).

Dragsholm Castle (Danish: Dragsholm Slot) is a historic building in Zealand, Denmark. For about 800 years there has been a building on the islet by the “drag”. From the original palace over the medieval castle to the current baroque style, Dragsholm Castle has had an influence on and been influenced by changing times and the surrounding community. The first deposit bonus many online casinos offer Slott Fyn Danmarkfree spins to new players. Most of the time the free spins are offered on a specific slot machine, usually a new or promoted slot machine.

Early life[edit]

Slott Danmark

Born in Copenhagen, Slott-Møller was the son of merchant Carl Emil Møller and Anna Maria née Møller. After completing the preparatory course at the Royal Danish Academy of Fine Arts (1883), he painted for three years under Peder Severin Krøyer.[1]

Career[edit]

Slott-Møller first exhibited in 1886 at the Charlottenborg Spring Exhibition and attracted attention in 1888 with his large lively work Fattigfolk i Fattiglægens Venteværelse (Poor People in the Poor Doctor's Waiting Room). He exhibited at Kunsthal Charlottenborg and Den Frie Udstilling with individual portraits, such as that of Georg Brandes (Georg Brandes at the University in Copenhagen, 1889),[2] and landscapes, which often featured a prominent spot. A change in style occurred in the early 1890s as can be seen in his portrait of the sculptor Anne Marie Brodersen, in which her fair hair is covered with gold, as are the cornfields in one of his landscapes. Then followed a series of painting which ensured him a place as one of the principal participants in 1890 painting: Tre kvinder (Three Women), Foraaret (Spring), and his strikingly symbolic work Primavera (1901).[1] Slott-Møller is remembered for his portraits of well-known figures from Southern Jutland and South Schleswig, often characterized with customized backgrounds such as a landscape or appropriate buildings.[3]

He also worked at the faience factory Aluminia from 1902 to 1906 designing a number of notable items together with Christian Joachim [da].[4] As a result, Slott-Møller gained wide recognition as one of the leading craftsmen of the turn of the century. Although he continued to paint, opinions about his work became ever less supportive, partly on artistic grounds but also as a result of his attitude towards the public.[1]

In 1919, he became a Knight of the Dannebrog. He was a founding member of Den Frie Udstilling (The Free Exhibition).[5] He is buried at Holmens Cemetery.[1]

Slott Danmark Hotell

Slott-Møller is portrayed in a double portrait: Ude eller Kammerater (Out or Comrades, 1886) in which he and his wife have painted each other. Another self-portrait based on a study drawing was Trækfuglene (Migratory Birds, 1909). There is also a self-portrait in Florence's Uffizi Gallery (1924).[6]

Slott Danmark Retirement

Selected paintings[edit]

Slott danmark construction
  • Nude Girls, c. 1910

  • Summer Day, 1888

  • On the beach, 1907

  • Picnic, 1919

  • Primavera, 1901

  • Midsummer's Eve, 1904

  • Three Women, 1895

  • Adam and Eve, 1891

  • Nude, 1910

  • At the Garda Lake, 1910

  • Morning Coffee, c. 1910

  • Birdwatching, 1909

Slott

References[edit]

  1. ^ abcd'Harald Slott-Møller', Dansk Biografisk Leksikon. (in Danish) Retrieved 4 February 2013.
  2. ^'Georg Brandes at the University in Copenhagen'. Detroit Institute of Arts. Archived from the original on 16 July 2014. Retrieved 1 February 2013.
  3. ^'Flensborghus'Archived 2013-02-17 at Archive.today, Grænseforeningen. (in Danish) Retrieved 4 February 2013
  4. ^'Aluminia', Den Store Danske. (in Danish) Retrieved 4 February 2013.
  5. ^Varnedoe, Kirk; Corcoran Gallery of Art; Brooklyn Museum; Minneapolis Institute of Arts (1982). Northern light: realism and symbolism in Scandinavian painting, 1880-1910. Brooklyn Museum. p. 212. ISBN978-0-87273-094-6. Retrieved 31 January 2013.
  6. ^Birgit Jenvold, 'Harald Slott-Møller', Kunstindeks Danmark & Weilbachs kunstnerleksikon. (in Danish) Retrieved 4 February 2013.

External links[edit]

Media related to Harald Slott-Møller at Wikimedia Commons

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Harald_Slott-Møller&oldid=937404881'
Coments are closed
Scroll to top